Inside Refik Anadol's studio in Frogtown, an artist's hub in East Los Angeles, there are no paint splatters or plaster splodges and not a single discernible canvas. Instead, 6ft-high flat screens hang from the ceiling upon which an amorphous mass of what appears to be organic matter undulates under the title Machine Hallucinations. Another screen shows an endless stream of National Geographic-worthy landscapes entitled Synthetic Dreams. Synthetic, because even though they look like the Grand Canyon or the Zambezi, they are in fact AI-generated images of an imaginary universe...
What the future holds for the art world – from data-painting to NFTs
Using numbers as his material and algorithms as his tools, artist Refik Anadol is redefining modern art
This post is an excerpt. Read the full article on the Telegraph website.
Stay engaged. Use #UCLAarts to stay connected.
