Artists’ Artists: Race, Radicalism and Class in the Painting of Ravi Jackson

Department of Art Professor Rodney McMillian's artistic practice embodies a wide range of media and techniques. An overarching concern in his work is the relationship between language, aesthetics and content. His exhibition, Rodney McMillian: Body Politic was recently exhibited at Vielmetter Los Angeles.
"‘Race, Radicalism and Class in the Painting of Ravi Jackson’ is part of a series of articles in which we asked nine artists to chose a colleague whose work has been on their mind.
Rodney McMillian
I met Ravi Jackson while I was teaching at UCLA and he was a student in the MFA painting programme. Incorporating popular culture, art history, texts and images of political leaders, his works are also deeply invested in material processes. Sawn-off furniture legs, hinges and small chains hang from his large-scale canvases and wood panels. While the works themselves take up physical space, the histories they depict invite viewers to think about the space and time within and between those histories.
Jackson has no fidelity to any of the histories he explores: he’s more interested in how they are interpreted. His subjects are wide-ranging. Untitled (2017), for instance, is a wood panel painted with splotches of pink acrylic paint and collaged with images from a 1975 fashion spread of Black Panther leader Eldridge Cleaver wearing self-designed trousers with a black fabric dick that hangs between the legs. These are interspersed with pictures of Kurt Russell’s character, Snake Plissken, from the film Escape from New York (1981). Offering a compelling conversation around outmoded yet prevalent notions of masculinity, the work suggests that the film’s anti-hero narrative is no match for the narrative of Cleaver’s activism – and of that which swings between his legs. Those narratives still account for the near-daily, state-sponsored murder and targeting of Black men in the US."— Rodney McMillian, Dec. 14, 2020
This post is an excerpt. Read the full article on the Frieze website.
Read more about Rodney McMillian.

